Rave reviews for LATENCY CANONS in The New York Times and Slate

The New York Times

“The greater the risk, of course, the greater the chance the experiment will fail. But computers, Internet connections and live musicians cooperated splendidly for the premiere of Raymond J. Lustig’s entrancing “Latency Canons” on Friday evening at Zankel Hall.”

“A surreally beautiful, contrapuntal soundscape unfolded against a video backdrop of live, blurry images of the musicians. Harmonies overlapped during the stately opening. A brass line underpinned the gentle cacophony of spiraling, ecstatic string fragments that ended the work on a rapturous note.”

Read the full review at nytimes.com




“The most inspired experiment, in its marriage of concept and music, was Raymond J. Lustig’s Latency Canons, which took its musical problem from an unlikely source: The inherent glitchiness of Google Hangouts.”

“…hauntingly beautiful”

“The overall result was arresting—who could have guessed that such a complex and striking piece of music might have come from such a simple idea? What’s more, the fact that this music was being created by musicians in different parts of the world, their collaboration only enhanced by the imperfections of technology, was genuinely moving. The canon effect worked perfectly, and other unexpected “problems,” like the occasional occurrence of static and feedback, added to the piece’s appeal. Perhaps the most affecting and fitting moment was when the Google Hangout asked us, about three quarters of the way through the performance, ‘Are you still there?’ We were indeed—rapturously.

“Lustig managed to balance chance and control, experimentation and execution. The music fulfilled the promise of his idea, producing a glitchy, gorgeous success.”

Read the full review at Slate.com


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